One day in either late 1979 or early 1980 (exact date uncertain), Mark Tiborsky went over to George Wright’s house with guitar in hand. The two 18-year old aspiring musicians had planned to get together to jam, with no particular musical agenda. During their prior get together, they had done some experimentation with improvisation – something that was still fairly new to two young guitarists who were used to playing cover songs as true as possible to the originals. Nothing had been recorded during the prior session, but dabbling in a bit of non-cover music had given George and Mark a taste for more experimentation.
George lived in a big ol’ house right along Lake Erie. His bedroom had a closet that was huge, probably 6’x8′. Being as it the boys wanted to smoke a wee bit of… you know… and since his parents were home, George decided to set the jam session up in the closet, complete with a cassette recorder.
Almost immediately, Mark started playing an ascending 3-note pattern out of the blue. George followed right in, and then suggested striking a D minor 7th chord five times. After playing that sequence a few times, Mark decided to play an absurd chord (major, but pulling of on a prominent minor note). He added one more change, and then George finished off the section with descending chords as a loop back to part “A”.
Within 10 minutes or so, George & Mark felt confident enough to record their strange creation. They laid down an acceptable version, and gave it a listen. The two were already sort of giddy, as the new piece of music was amusing to begin with. Then Mark said, “We should name this tune ‘Eyeball’.” Yep, that was it. The boys collapsed into tear-inducing laughter that went on for minutes.
Around a week later, George came over to Mark’s house with two verses of demented lyrics. That afternoon, the two finished off some additional lyrics together, and the basic song structure of Eyeball was complete.
Eyeball was played many times during informal Bean Philosopher jam sessions, and was recorded live in several different versions (some instrumental, and some with vocals). Bob Lanphier added some nifty lead guitar work to one version in particular. In addition, the song was played live by The Time Between (Mark & George’s “regular” rock band from 1979-1980) during their performance at the (then) yearly Euclid (OH) community festival.
Mark Tiborsky recalls:
“It was our last song of the night. It was kind of surreal to play Eyeball at a family-oriented community festival… we talked amongst ourselves, unsure if we should play it after playing all fairly familiar cover songs. Then we decided to go for it, complete with vocals. We really jammed it up at the end. When we struck the last chord, there was a stunned silence for a few seconds… then a hearty round of applause! We didn’t know what sort of reaction to expect… it felt like some sort of great artistic victory at the time.”
A band Mark was involved with in the mid-80s, The Particles, also included Eyeball in their repertoire. There is a video out there somewhere of that group performing the song at the old Sahara Club, which was one of the biggest clubs in Cleveland’s east suburbs.
It wasn’t until 1987 that Mark and George decided to lay down a “serious” version of Eyeball on Mark’s Tascam 4-track deck. All four tracks were completed, one of them being Mark and George singing through some sort of odd effect… flanger, phase shifter, chorus? Mark can’t recall exactly what was used.
In the “old days”, the idea was to get as much instrumentation as possible onto each track (as you only had 4 total to work with). For the 1987 version of Eyeball, track 1 was Mark on acoustic guitar and George on electric. Track 2, Mark on bass and George on electronic drum pads. Track 3, Mark on electric guitar and George on keyboards. Track 4, both vocal parts.
Fast forward all the way to 2021, when Mark felt that Eyeball needed an official release after spending several years cataloging/digitizing/sprucing up all the old Bean Philosopher recordings. He added some additional keyboards and drums to his & George’s best mix from the 1987 session.
A fast version of Eyeball was recorded in 1989 – part of that recording is tacked onto the last minute of the new officially released version. The complete song was officially released as a single in 2021. Eyeball has since been remastered for its re-release on the 2023 album Bowl O’ Bean.
Here is a video that Mark T. put together for Eyeball… enjoy!

